Ally tip: learn to recognize the difference between a censored queer romance (i.e. Marceline and Princess Bubblegum from Adventure Time) and queerbaiting (i.e. BBC Sherlock and Supernatural)
Just wanted to take a moment to post our policy on harassment on tumblr, it is also on our website, and will be in the program guide. The image attached is the sign we will have displayed throughout the convention.
Emerald City Comicon’s mission is to create a safe, awesome environment where geeks of all kinds can come together. We have a zero tolerance policy for harassment of any kind.
Harassment includes offensive verbal comments (related to race, gender, sexual orientation, body size, disability, appearance, and religion), overly sexual images in public spaces, deliberate intimidation, stalking, harassing photography or recording, sustained disruption of talks or other events, inappropriate physical contact and unwelcome sexual attention.
Exhibitors, sponsors and guests are subject to our anti-harassment policy as well and have also been informed. In particular, exhibitors should not use images or material that surpasses a PG-13 rating at their booths. Booth staff (including volunteers) should not use over-sexualized clothing/uniforms/costumes.
If a person engages in harassing behavior, ECCC Directors and Department Heads may take any action they deem appropriate, up to and including expulsion from Emerald City Comicon (with no refund). If you are being harassed, witness someone else being harassed or have any other concerns, please contact a member of the Emerald City Comicon staff immediately (identifiable by green Minion t-shirts or black polos/Staff badges). We are happy to contact our security or local law enforcement, provide escort, a safe place, or otherwise assist those experiencing harassment to feel safe for the duration of the convention.
All attendees, exhibitors and staff are subject to this anti-harassment policy and are expected to follow these rules at all Emerald City Comicon events.
This convention does so many things right. Here’s just another example.
*STANDARD DISCLAIMER* I’m not handing down life lessons or trying to assert that there’s a ‘correct way’ to draw. I’m just trying to make perspective more approachable for thems that want to tackle it.
Okay. Let’s do this.
1. Understand what perspective is and what it’s for. Stay away from rulers while you get comfortable.
Everyone struggles with perspective because 1. it’s not well or widely taught and 2. artists tend to see linear perspective as a set of rules rather than a set of tools.
Linear perspective is a TOOL we use to create and depict SPACE. That’s it. That’s all it is. Your goal is not to draw in ‘accurate linear perspective.’ Stay away from the ruler and precision for as long as you can. Your goal is to create the illusion of three-dimensional space on a two-dimensional surface. Perspective is just a tool to help you construct and correct that space.
2. Know in your bones that you can ONLY learn to draw in perspective through physical practice. There is no other way.
Grab some paper and draw with me. If you match me drawing for drawing you will be more fluent in linear perspective and spatial drawing by the end of this post. Unfortunately if you don’t, you won’t be.
3. Sketch around in rough perspective. NO RULERS.
So let’s make some simple space. let’s start with a two dimensional surface…
K. We have a flat, 2D surface. Let’s create some depth by putting a vanishing point in the middle, and having parallel lines converge towards it. Make a gridded plane inside that space.
Good. Let’s make that space meaningful by adding a dude and a road or something. (Again, parallel ‘depth lines’ will converge into the vanishing point along the horizon)
And now we have the rough illusion of some space. I didn’t use any rulers, and it’s not perfectly accurate, but we got our depth from that vanishing point right in the middle of the page. And since we have a little dude in there, we’ve got human scale, which allows us to gauge the size of the space we’ve created. Gives it meaning.
You need people or cars or some recognizable, human-scale THING in there as a frame of reference or your space won’t mean much to your viewer. Watch. We can make that same basic space a whole lot bigger like this:
Same vanishing point in the same place, completely different scale, and a totally different feeling of space. Cool, right?
3. Sketch around in rough perspective MORE. STAY LOOSE.
See what sort of spaces and feelings you can create with vanishing points and gridded planes on a post-it or something. Super small, super rough. Feel it out. Pick a vanishing point or lay out a grid in perspective, and MAKE SOME SPACE. Do it. Draw, I don’t know, a lady and her dog in a desert. I’ll do it, too.
Good job. LOOK AT YOU creating the illusion of space! This is how you’ll thumbnail and plan anything you want to draw in space. All of my drawings start this way. I think about how I want the viewer to feel and then play around with space and composition until I find something that works.
Once you have a sketch you like, and space that you feel, THEN you can take out the ruler and make it more accurate and convincing.
4. Draw environments from life.
I cannot stress this enough. Draw the world around you, try to draw the shapes and angles as you see them, and you will ‘get’ how and why perspective is used. Use something permanent so that you’ll move fast and commit. I usually use black prismacolor pencil.
You’ll learn or reinforce something with every drawing. I learned a lot about multiple vanishing points from this drawing:
Learned from the receding, winding space I tired to draw here:
Layered, interior spaces:
You get the idea.
Life drawing will also help you develop your own shorthand and language for depicting textures, materials, details, natural and architectural features, etc. Do it. Do it all the time. Go to pretty or interesting places just to draw them.
Take a second and just draw a quick sketch of whatever room you’re in.
5. Perspective in formal Illustration: apply what you’ve learned.
1. I always start with research. For this particular location I looked at Angkor Wat.
2. Once I had enough reference, I did a bunch of little thumbnail sketches with a very loose sense of space and picked the one I liked best.
3. Scanned the thumbnail and drew a little more clearly over it. Worked out the rough space before using formal perspective.
4. Reinforced the space with formal perspective. I dropped in pre-made vanishing points over my drawing. If I were drawing in real media here’s where I’d get out the ruler to sketch in some accurate space.
5. Drew the damn thing. Because I do my research, draw from life, and am comfortable drawing in perspective, I can wing it. I just sort of ‘build’ the ruins freehand in the space I’ve established, keeping it more or less accurate, experimenting and playing with details along the way. I erase a lot, too, both in PS and when drawing in pencil. Keeps it fun for me.
And that’s what I know about composition and perspective. If you want more formal instruction on perspective and it’s uses, you can use John Buscema’s How to Draw Comics the Marvel Way. Or If you want to get really intense about it, Andrew Loomis can help you
An elegant meal for one, tonight.
This baby elephant landed itself in a right old mess after falling down a railway embankment.
Stuck fast in the muddy ravine, its attempts to get free failed time and again. Luckily, a train was passing by and passengers, upset to see the forlorn animal in a pickle, convinced the driver to stop so they could free it.
While one commuter enticed the elephant to the top of the ditch by holding out tree branches for it to eat, others joined the rescue and eventually pulled the animal out of its predicament.
The calf suffered no injuries in the fall and probably learned not to stray too far from the herd in future following its muddy misadventure.
Officials say the elephant had been walking across rail tracks in Goalpara, in the state of Assam, north-east India, when it fell into the ditch.
I don’t really know what kind of history books bigots like you read.
The Great Libraries of Timbuktu? The steel metallurgy of the Haya? Dentistry? Caesarean section? Premature neonatal care? Mathematics, architecture, engineering?
I know it’s hard for a racist like you who imagines “technological advancement” to be some kind of end-all-be-all, or proof of some “inherent intelligence”. I know, I know. It’s hard to imagine, but Europeans have been drawing knowledge from everyone around them since the dawn of time. What did you think ended the Dark Ages?
Your magical (read: white supremacist) idea of a purely 'white' Rome never existed.
The Minoan culture on the island of Crete between 1500-1700 B.C.E. had a highly developed waste management system. They had very advanced plumbing and designed places to dispose of organic wastes. Knossos, the capital city, had a central courtyard with baths that were filled and emptied using terra-cotta pipes. This piping system is similar to techniques used today. They had large sewers built of stone.”
In case you needed further clarification, neither the Minoans nor other (later) Greeks were ethnically uniform. They also had the first flush toilets, dating back to 18th century B.C.E. They had flushing toilets, with wooden seats and an overhead reservoir. The Minoan royals were the last group to use flushing toilets until the re-development of that technology in 1596.
Oh, and look the Mayans had indoor plumbing, acqueducts, and pressurized water too. I mean, you can ignore that the area Mayans lived in had little to few rivers, no lakes or standing water, nor other sources of running water, while simultaneously dealing with monsoons and flooding due to one of the heaviest yearly rainfalls in the Americas.
Classic Maya even used household water filters using locally abundant limestone carved into a porous cylinder, made so as to work in a manner strikingly similar to modern ceramic water filters.
Of course, by this time millenia later none of your precious “white people” had developed any methods besides shitting in pots.Continuing, the earliest archaeological record of an advanced system of drainage comes from the Indus Valley Civilization from around 3100 B.C.E in what is now Pakistan and North India. By 2500 B.C.E (almost 5,000 years ago), highly developed drainage system where wastewater from each house flowed into the main drain.All houses in the major cities of Harappa and Mohenjo−daro had access to water and drainage facilities. Waste water was directed to covered drains which lined the major streets directed to covered drains, which lined the major streets. Each home had its own private drinking well and its own private bathroom. The mains that carried wastewater to a cesspit were tall enough for people to walk through. Reservoirs, a central drainage system, fresh water pumped into the homes. Pools. Baths.It was made from bricks smoothened and joined together seamlessly. The expert masonry kept the sewer watertight. Drops at regular intervals acted like an automatic cleaning device.
Filters for solid waste.Sorry, what were the British doing up until like, 200 years ago? Shitting in the streets? Oh yeah.I mean, I could get into how by the Shang Dynasty (roughly 1600 B.C.E.), China had sophisticated plumbing including pressure inverted siphons.
Or into the city of Amarna, Ancient Egypt. Or Persepolis, Persia and the Achaemenids in 600 B.C.E.But, I mean, it sounds like the only one still in the Bronze Age is you.